During university, I was the in-house designer for Burniture, a cross-disciplinary collective that up-cycles discarded furniture, helping to avoid precious materials going into landfil
BRAND IDENTITY
OCT 2022
OCT 2022
Burniture logomark, wordmark and slogan. Business cards printed with stamps in-house on 100% recycled homemade paper.
Photography by Henry Harte.
TOTE BAGS
OCT 2022
OCT 2022
Photography by Henry Harte.
2023
Burniture was awarded the Decorex Sustainability Award at New Designers 2023, Burniture secured a booth at Decorex International. For the October show, we launched Burniture Wallpaper across our 5×3m display walls.
Photography by Henry Harte.
PROMOTIONAL POSTER ZINE 2023
The Rohan Chair, Burniture’s first batch product, is a tongue in cheek take on flat-pack furniture made from reclaimed wooden floorboards. I designed a promotional zine for this launch, the binding mimics the intelligent structure and versatile handling of the chair by functioning as a booklet that unfolds into an A3 spread. Printed on homemade Lokta Paper.
2023
2023
The ground floor was the ‘problem floor’, exposing the environmental implications of the fast furniture industry. This supplied the context for the upstairs ‘solution floor’, where the audience walked into a room filled with creatively repurposed waste. I desined this multimedia mind-map display for the ‘problem floor’ to visualise how the economy fuels our society’s waste problem. Also producing signage featuring our typeface blowtorched into wood.
2022 - 2024
2023
Printed on 100% recyled homemade Lokta paper.
This archive consists of self-directed, short-term one-offs
2023
A response to the Conservative Government’s ‘minimum service levels’ bill, which could enable the dismissal of striking key workers. This poster highlights the democratic value of strike action, aimed at informing a Gen Z audience before such rights could be diminished..
KICKER
TYPEFACE DESIGN
2021
TYPEFACE DESIGN
2021
Kicker is a font that I designed as a student in January 2021. It deveoped as a creative response to me kicking off in frustration about the second national lockdown.
2020
2021
2020
WORKSHOP
2019
2021
A guide to designing for low vision, promoting inclusive thinking while recognising diverse access needs, no single approach fits everyone. Effective design comes from engaging users, otherwise it remains limited by our own perspective.